Supergrass (UK)

Ever since the release of their first single “Caught by the Fuzz” in the summer of 1994, Supergrass has enjoyed both critical and commercial acclaim both at home, in the British Isles, and internationally. It seems that everyone involved in music was aware from the very beginning that Supergrass was something special. They were lauded by the late John Peel and “Caught by the Fuzz” was named “Single of the week” by NME and Melody Maker in the same week.

The music that poured out of the creating effort of Gaz Coombes (guitar and lead vocals) , Danny Goffey (drums and vocals) and Mick Quinn (bass and vocals) struck a chord with music fans across the world. Referring back to the rich heritage of British popular music, Supergrass also seems to add an extra special something that makes their music shine with joy, humor, satire and grave philosophical wonderings about the human condition. The past glory of bands such as the Buzzcocks, the Jam, The Kinks, The Who and David Bowie are echoed in the music of Supergrass. When the single “Alright” from their debut album “I Should Coco” charted at #2 everyone was struck by the power of the trio of three young men that sang a tribute to their youth.

After the success of “I Should Coco” and 18 months of intensive touring, Supergrass found themselves one of the leading bands of the 90’s Britpop genre. Gathering their strength Supergrass intended to strike the iron while it was hot and to build on their momentum. With their second album “In It for The Money” Supergrass succeeded to secure their place in the musical flora. With hit singles like “Going Out”, “Richard III” and “Sun Hits the Sky” Supergrass expanded their sound into darker territory and firmly established themselves as one of UK best acts, both in the studio and on the road.

With their third LP, the eponymous “Supergrass” it could be said that the first chapter in the story of Supergrass was completed. Often nicknamed the “X-ray album” this third album contained singles such as “Pumping on your Stereo”, “Moving” and “Mary”. Released in September 1999, five years into their career the band decided to take a well deserved break.

Appearing again in 2002 with “Life on Other Planets” Supergrass was eager to reaffirm themselves. Arguably their least successful commercial release but at the same time their most critically acclaimed album “Life on Other Planets” ushered in a new era for Supergrass. The official number of band members had grown during their three years hiatus and Supergrass now counted 4 musicians. Rob Coombes, Gaz’s older brother, was formally added to the personnel playing keyboards and vibes. Rob had however been a de facto member of the band from the very beginning but arguably his influence grew from “Life on Other Planets” onwards.  With hits such as “Grace” and “Seen the light” Supergrass continued to please their fans and charm the critics.

Supergrass latest album “Road to Rouen” (2004) reflects the turbulent years leading to the release. Changes both on a personal and professional level deeply effected the band and it shows in on the new album. Still great, Supergrass as they appear on “Road to Rouen” are oriented towards a longer, looser and more orchestral material. The successful single “St. Petersburg” being a good example of the somewhat more mature Supergrass. However their live performances still continue to be a thrill and the more pensive material of “Road to Rouen” adds to the depth of Supergrass songbook.